DB: Austin has been very good to me.
CC: The scene there is just incredible. We were there last year and I was just blown away by what you guys have going on down there. It’s insane.
DB: Yeah, there’s so many people doing improv here for the love of the art form. There’s no one trying to get famous or noticed by networks or agents… but the impetus seems to be more about how far can we take the art and what other kind of show can we do.
CC: Which is so great to see. It’s weird out here. For the most part people are trying to get noticed relatively quickly and seeing if they can build a better Doritos commercial. But in Austin, it feels quite the opposite. The P-graph kids are the ones I hung out with quite a lot while i was down there. And their show was so good. they were doing the show….uhh, I’m drawing a blank… Roy (Janik) was mind-blowingly good.
DB: French Farce?
CC: No. it was, uh… just genius. Not French Farce. It was dark and medieval.
DB: Oh, the Grimm’s Fairy Tales?
CC: YES! Roy was some sort of hunchbacked guard character.
DB: They are unbelievable how they can just tackle genres that nobody has thought of yet.
CC: You don’t even know that they are genres until you see them do it.
DB: Right! You hear about it and you are, like “Wow!” and then you see their shows and your like “WOW!!! There’s no way in hell I can do that.”
CC: Yeah, there’s no way in hell I can do one of those things much less several. There was a really good improvised Chekov show out here, but that troupe… that’s all they do. P-Graph does several. They’re unreal. They also have the most unsellable name… outside of Mission:Improv-able.
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